Why Traditional Portraiture Still Matters

Learning the rules of traditional portraiture, which can be more controlled and usually less spontaneous in comparison with contemporary portraiture, will benefit you greatly when shooting lifestyle portraits. Mainly because there is a lot of careful thought and planning place in designing each traditional graphic, success requires a solid understanding in the rules of lighting, posing, as well as composition— the fundamental elements of the art. In lifestyle photography, additionally , you will want to strive for those same artistic goals, but as opposed to planning each of the elements, it will become your responsibility to capture them instantly as a moment naturally unfolds just before you. In fact, because contemporary photography relies and so heavily on active observation, it really is possibly even more critical that you learn the tactics associated with traditional teachings.

This is especially true when it comes to lighting. Great lighting is an incredibly important part of photography—the word literally means painting or drawing with light (from the Greek roots pictures [light] and graphos [writing]). Learning how you can harness and control light properly and confi-dently will help you with every facet of your artistic career. Why does it matter to know what has come before? Photography is art. It’s taken decades for it to get universally recognized as such, but photography is absolutely regarded as art today. So, to take an analogy through painting, no matter how amazing your creative vision, you still need to know the basics of proportions to bring sketches to life. Once you have reached the point where the creation of art just flows, where you understand the rules so well that you no longer have to think about them, this is when you can confidently practice your craft.

Using enough knowledge and practice, you will reach a point where it results in being effortless. You can photograph your subjects exactly how you want them to be captured, easily moving between lighting changes, swapping out lenses on the fly, as well as responding using ease to the scene as it unfolds before you.. Once you reach that point, you can then become even more daring and inventive with your work. As the old phrase goes, “You need to find out the rules before you break them.

” It is arguable that in contemporary photography it is even more important to learn the rules of traditional portraiture, as there is less you can control when you are trying to capture the unknown in a new and fresh way. Photographing something differently just for the sake of being different doesn’t generally mean it will be compelling or interesting. When you photograph something in a way that draws the viewer in, in a way that is innovative and memorable and truly original, you are also likely to find that you have also managed to harness many of those traditional philosophies—but with your own personal view plus your own modern twist.

Yes, you can absolutely go out and shoot and then work to “fix it” in Photoshop; many photographers do. However, the image is always cleaner when you shoot for proper exposure in-camera. Additionally, when you pair the fix-it-in-Photoshop approach with a full workload (ten portrait sessions to deliver in the next two days! ), it will not be long before you will be far too overwhelmed to keep fixing images after the fact—if you are not already feeling doing this.

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Printing and Papers.


printing system and papers

my friend mike likes to explore the subtleties and also extremes of tone in a print. ‘I think of tonality as having an emotional effect and frequently use extreme movements of tonality-, he describes. ‘I might create the print very dark or very pale, as an example. I have a fairly precise idea of the way I want a print to look once i go into the darkroom. It’s about exploring how the negative could be printed in different ways. ‘
mike uses largely selenium to tone his prints, or even gold toner for the paler prints, which can be known for its archival properties. ‘When several photographic papers were on the market, I used a wide range -mainly due to the different ways the papers responded to toners, ‘ he provides. ‘My standard papers were Agfa Record Rapid and also Agfa Portnga Rapid. Both replied well to selenium toner and also both would “split-tone” reliably, with Portriga paper particularly yielding the rich brown/purple coloration.

‘When I started exploring high-key prints I used Seagull, a paper with a cooler tone, that we felt suited the more subtle tonal scale I often gold-toned the actual prints to accentuate cold tones. A paper I used by a small number of pictures was Kodak Ektalure. made fa the portrait trade and only obtainable in grade 2, normal. It was an unusual papers for split-toning, giving a subtle brown on higher midtones. To allow for working among grades or to nuance tonality, I used Beers formula print developer, which I mixed from raw chemicals. I still make and also use this developer today.
‘None of those papers is available right now, but there are numerous of other papers available on the market that give perfectly satisfactory results. 1 have used Foma, llford and Adox papers, and now use variable-contrast papers — llford Warmtone or Adox MCC 110 — with respect to the feel I want in the print. I generally print with a single filtration system, although occasionally I use split-filter techniques.

Related posts:

  1. How to Pick a Printer ( How to Choose a Printer )
  2. Prints Big or Smull Black And White B&W

Videographer San Francisco San Francisco CA

Memories Forever Productions is committed to capture your moments with the best quality available using an exceptional & unique touch of professional editing. We work to capture the laughter, the tears, the joys, the happiness, the hugs, the emotion & the fun of your event so that you will be able to cherish these memories forever.

We will work with you to make your event specific to your needs and wishes. Our primary goal is to keep your special day or life’s history alive for you and your posterity to cherish forever. We want you to be able to share and re-live your memories with your family and friends for generations to come. Whether having us videotape or combine old pictures and videos to create a touching interactive DVD montage, rest assure we will provide the highest quality that you will love.

Choosing a videographer for your event is very important and you can rest assured that you will receive the very best video with the friendliest service. Let us take some of the stress out of your life and allow us to plan the Videography.

Your wedding day is a once in a lifetime event that you will want to cherish always. Having us make a professional video of your wedding allows you to remember your special day throughout your life. We are your eyes and ears.

We are able to capture the beauty of your vows and promises to each other, the delight of the kiss, the loveliness of the bride, the splendor of your wedding cake, the charm of the first dance, the excitement of the bouquet and garter toss, the sweetness as loved ones smile and tears are shed, and the elegance of the entire wedding ceremony and reception. We will give you a priceless treasure that you can share with each other throughout your life and pass down to your children.

Bar/Bat Mitzvahs
We know how much effort and work you and your child sacrifice as you prepare for your child’s Bar/Bat-Mitzvah. We know this is a special ceremony for your child as he or she makes a transition from childhood to adulthood. We also know how special this is for you parents as you reflect upon the life of your child.

This is a day when family, friends, and loved ones come from all over the country to celebrate with you. We want you to be able to remember this special day and this is why we are committed to providing you with beautiful memories of your child’s special event that will last you and your family a lifetime.

Family Heritage
As generations pass, we should never lose the legacy of our loved ones and their life’s history. Their knowledge, their experiences, their perspective, and their personal decisions that shaped their lives should be cherished and never forgotten.

As our children grow, the memory and history of their grandparents and ancestors passes into memory and then begins to fade. Too many life histories have been lost forever. A Video biography can help keep them alive in the hearts and minds of their children and loved ones.

Special Events
We understand how important life’s moments are. An Anniversary, a Mitzvah, a New Baby… even that special Birthday Celebration.

This is a time when family and friends gather to help you celebrate an important milestone in your life. Let us help you in this endeavor by preserving your event for you and your family to remember. We can preserve these moment not just in film, but in presentation materials with music and commentary.

For more information please visit the link below


Nissin Di866 Mkii

The Nissin Di866 Mark II is in the same general class nikon canon sony

Nissin Di866 Mkii

TIME appeared to be that third-party flashguns cost E50 and broke off their hot shoe in Ihe first four week period. Nissin’s latest Di866 Mkii shows how much things get changed – it has a metal hot shoe but at good under 400g it’s light in addition to small for a GN60 nominal rating gun.
Additionally , it has more products built in than you could want. By way of example, under the cover for its USB firmware updating dock and high power battery pack cable you will also find a coaxial sync socket allowing use with all kinds of elder cameras, just add a short cable. In addition to, if you do, set the gun to Av (Auto aperture mode) for it to give auto exposure utilizing a thyristor type sensing cell. Also you can switch to that method unless you like TTL on your digital SLR camera
But tie main grounds for not Iking TTL is a consistent exposure error. The Nissin can be completely calibrated to give any degree of over or under exposure. ±3EV, in third-stop steps. It is possible to adjust it to suit your DSLR camera.

The Nissin Di866 Mark II is in the same general class as Canon’s 580 and Nikon’s 900 scries guns. It is made in these fits and also for Sony Alpha

On top of that, when used m any auto mode it can also be designed with flash compensation, on the gun’s clever full colouring rear interface. If you camera also has flash compensation too, you can use that, and the effects will be added.
In wireless mode, the Nissin acts as a commander or master. When mounted on a compatible camera body, it can control up to 3 channels and 4 groupings of remote flash with ratio setting, including having the master emit no flash itself.

The wireless assortment is an impressive 25m compared to the usual 15m of such systems, and the receptor angle is 100?. The same links with an optical slave cell also fitted into this gun. This allows it to be prompted by studio flash or any conventional flash, as an alternative to by wireless TTL. However, many digital cameras have a pre-flash which can’t be disabled. So the Nissin Di866 adds an electronic flash slave cell mode, which automatically recognizes the extra light bursts and synchronizes accurately. This enables the gun to be used as a high power off camera flash by using many compacts.

The rear color display and its navigation system are the best I’ve ever encountered on a flashgun. It is better to understand than any other control system. That’s just as well considering that no instruction manual is supplied Gust a large pictorial sheet) and you have to go on-line to download a PDF for full data and also operational info.
Tested, the Nissin proved to be rather generous with its claimed GN, a result of clever reflector design. In fact, the total W/s output was mucn the same as flash units described as GN40 and was about one stop less than my Sony HVL-F58AM, one of the most powerful camera top guns. But this is a well made gun costing around €288 street price (£378 list) with several retailers even lower. This also has a very efficient by using its four AA cells and a neat battery-holder system with regard to fast improvements.

The Nissin Di866 Mkii has much more functions built in to it than makers’ own flash units – with a competitive price.

nissin di866 mkii


Directing 101

Course Description: Are you interested in directing but scared to take the plunge? Have you already directed something but feel like you need to hone your skills? In this “Into to Directing” workshop we will discuss preparation, visualization, and communication –the basics of directing.

Instructor Bio: Robin has worked professionally as a stage-manager, lighting designer, dramaturge, actor, director and playwright and has worked for companies across Canada including The Arts Club, Pacific Theatre and The New Play Centre (now known as the Playwrights Theatre Centre) in Vancouver, as well as the Belfry Theatre (Victoria), the Globe (Regina), Persephone (Saskatoon), PTE (Winnipeg) the Grand (London, ON), and Drayton Entertainment (Grand Bend, ON) . She received her BFA in theatre from UVic and her MFA in directing from UBC and has been a faculty member in the theatre program at TRU since 2004. In 1995 She, along with 5 other actors who had all recently become mothers, created a show about motherhood called Mom’s the Word which has been produced in 11 other countries, translated into 5 other languages, is still touring and has played to over 2 million people across Canada and internationally. It was followed in 2005 by Mom’s the Word 2: Unhinged which also toured internationally and in 2009 by Mom’s the Word: Remixed which is currently touring in Canada.


Acting -The Craft of Relationships

Course Description: Acting involves four primary relationships: with the script, with the director, with fellow company members… then with the audience. This workshop will explore the first three, looking in a very practical way at how to analyse the play from your character’s point of view, how to follow, and sometimes interpret the director’s vision, how actors can get the best out of each other… and how to work towards getting it right when it’s patently going wrong.

Instructor Bio: Keith has worked at the top levels of live theatre in Canada, including a season at The Stratford Festival, Ontario. While in Edmonton, Keith worked with John Neville OBE at Edmonton’s Citadel Theatre, and created The Phoenix Theatre. At Theatre 3, Edmonton, he directed the award-winning premiere of Sharon Pollock’s internationally acclaimed drama, BLOOD RELATIONS. Keith is a coast-to-coast festival finals adjudicator, having adjudicated the Cabot 500 International Festival in St John’s, Newfoundland, and the Newfoundland and Labrador Festival Finals in Gander; on the West Coast, Keith adjudicated the Theatre BC Mainstage Finals in Victoria. Along the way, he adjudicated a final festival in Saskatchewan, and a regional final in both Alaska and Washington State
Keith also spent a decade and a half as a teacher at Brentwood College on Vancouver Island. As a commissioned screenwriter, Keith has completed five screenplays and two film treatments. His sitcom series, CON JOBS has been optioned to noted UK production company, Green Bay Media. Keith was also a series writer on TIME EXPOSURES for Chek TV. Currently Keith is working on a commissioned stage play (Working title SHERLOCK & JACK) for Centre Media in London, England. His ‘claustrophobic thriller’, TRUNK, co-written with former head of Theatre BC, Brian Paisley, was made last year, has finished post-production and has been contracted by international distributor, IndustryWorks.


Actors Toolbox

Course Description: 3 Hours of quick yet highly effective procedures to tune you up vocally, physically, and emotionally. You will be at your best with these unique and powerful techniques from getting ready for the audition, working during rehearsals and on through opening night and all performances. Improv, cold reading, and effective stage movement will also be covered.

Instructor Bio:Douglas has over 30 years’ experience as a working professional in film, television, audio and theatre. He’s an award-winning director, actor, writer, and teacher. He has a BFA from York University in Stagecraft, Production and Design, graduating on the Dean’s list and with the Cheryl Rosen Award for Excellence. He studied acting on scholarship at the Banff Centre for Performing Arts. Douglas then went to the University of Georgia on a full Academic Scholarship graduating Summa Cum Laude with an MFA in Directing for Stage Television and Film. His film directorial debut Stick Up won a Best Comedy award during its festival tour in 2004 and was then sold to the Comedy Network and is still playing. Douglas is a produced playwright for the stage and CBC radio. His screenplays have won awards in Los Angeles for two years. He has performed in over 100 films, TV shows, commercials, cartoons, plays, and audio works. He was a resident street performer for 6 months at Expo 86 and performed his street show every year during Vancouver’s First Night celebrations. Douglas has also taught at a number of post-secondary institutions in BC and Alberta. He served as a jury member for the 2012 Vancouver Island One-Act Play Festival in Qualicum Beach. Theatre BC: Douglas has served as adjudicator for both the Central Interior and Skeena Zone festivals, and he led workshops in Commercial Voice Over (2001), Physical Action (2007), Directing (2006, 2009), The Actor’s Toolbox (2013) and Well Slap Me Silly (2013) at Mainstage.



DVDL50 The portable player features a built-in, 5″ LCD monitor with 280,000 pixel resolution for outstanding picture quality with a wide viewing angle weighs under 2 pounds (without battery). With the battery attached, it weighs just 2.07 lbs. It measures 5.51 inches by 5.96 inches and is less than 2 inches thick. . The touch of a button lets you select either the 4:3 standard TV screen dimension or the 16:9 widescreen aspect ratio supported by most DVD titles.

Advanced Virtual Surround Sound and a DTS® audio output are among the new features found on this year’s player. Other improvements include up to 3 hours of playback time, thanks to a new lithium ion battery pack. The DVD-L50 has its battery recharger built right into it, so recharging is easier than ever. For added convenience, a “credit card” sized remote control is supplied. The DVD-L50 also comes with a multi-voltage AC adapter for power supply from 110V to 240V, making it more convenient than ever to take your favorite DVD movies on the road.

“We’ve taken our PalmTheater concept to the next level,” notes Rusty Osterstock, assistant general manager for Panasonic’s consumer DVD division. “DVD forever changed the way people view movies. Panasonic added the convenience of portability. With its extraordinary mobility and playing time, the DVD-L50 lets consumers enjoy the exceptional performance of digital entertainment virtually anywhere.”

Although designed to travel, the ultra-compact PalmTheater DVD-L50 offers the same wide array of features found on full-size DVD decks, and can optimize the performance of the most sophisticated home theater systems. The player features S-Video output, composite video outputs, and direct digital audio output for convenient connection to a TV and audio system for home enjoyment.

A 10-bit video DAC (digital-to-analog converter) provides superb picture quality by minimizing digital artifacts. On-screen menu icons make navigating the player’s features and functions fast and simple. Features include multiple language selection, title/chapter search with marker function, auto switching field/frame still, frame advance (forward and reverse), repeat mode and more.

The DVD-L50 also provides the advanced audio features needed to completely appreciate the DVD experience. Its 96 kHz, 24-bit audio DAC produces optimal sound quality whether you’re playing a CD or DVD disc. The player can deliver superb sound through built-in, front-firing stereo speakers, or through external headphones via a headphone jack. And if you wish to connect the DVD-L50 to your home theater system, Panasonic’s Advanced Virtual Surround Sound feature simulates a 5.1 channel surround sound effect, downmixed from either a 5.1 channel or 2.0 Dolby® Digital soundtrack, from the stereo speakers of any home audio system. The player also features output for both DTS and Dolby Digital decoding.